Figure 5 is the first of a monumental three album series dedicated to Christopher Ludwig's large scale setting of the works of Pulitzer Prize winning poet William Carlos Williams. It was recorded at Quantum Sound Recording Studio and released in 2013 under the Ludwig Recordings Label.
Christopher Ludwig - Music
William Carlos Williams - Words
Cliff Ridley - Baritone
Tatiana Khvatova - Piano
Anna Vavilova - Piano
Track List and Credits
Cliff Ridley (Baritone), Anna Vavilova (Piano)
Track No. 2, 4, 5, 7, 8, 9, 10, 11, 13, 14
Cliff Ridley (Baritone), Tatiana Khvatova (Piano)
Track No. 1, 3, 6, 12, 15
A typical method of verse-setting will not meet the challenge of Williams’ unique patterns based on American speech mannerisms. This new collection of songs composed by Christopher Ludwig meets the challenge presented by William Carlos Williams with sensitivity and skill. Begun as a project to set the twelve poems that make up Williams’ Pulitzer Prize winning posthumous Pictures from Brueghel, the completed endeavor is both far-reaching and expansive, comprising 56 poems. In the words of the composer, there were “numerous other William Carlos Williams poems that cried out to be set.”
Setting such writing to music is a significant challenge to a composer. Williams’ poems often contain potent imagery that is strongly suggestive of a musical context. However, the irregular patterns, unusual syllabic rhythms, and uneven line lengths make an approach based on “verse writing” to be almost unworkable. The usual musical techniques of repetition and structure do not readily apply to most of Williams’ poems. Composer Christopher Ludwig surmounts these problems by creating a mood for each song through the piano writing, while the vocal melody is more often reminiscent of speech than singing. Structure and musical coherence is maintained by repetitive elements and short, almost ornamental motifs. The result is an effective blend of musical expression with vocal phrasing that is, to quote Pound’s dictum, “swift, uncluttered and functional.”
Considering the sheer volume of Williams’ life work (48 published books of poetry and prose), the challenge offered by such a collection is often one of discretion – what should be included, and what left out. This new offering of songs set to William Carlos Williams’ poetry presents a broad and representative survey of the breadth of Williams’ art. It is an ambitious project, to be sure, but also a welcome addition to modern song-setting that will no doubt bring a new audience to William Carlos Williams’ remarkable poetic legacy.
©2013 by Brian Mix